Fun with Film: Cross Processed Ektachrome Professional Plus

It seems to be a common problem with me to have an excess of out of date slide film.  Sometimes, I will take the chance and try to process it in E6 and see if I can do some tweaking in post processing to get an image that is fairly neutral.  While this generally works to some degree, I'd much rather shoot fresh (or recently expired) E6 film for conventional photography.

Which leaves me to use the building stockpile of 20-30 year old slide film for experimentation.  And what would be easier than cross processing some of it in C-41 chemistry in the midst of a color negative run.  

Such was what I did with a roll of "Ektachrome Pro Plus" that I had in my possession.  Loading it up in my more recent variant of a Gevabox camera, I fired off 8 shots handily on a return trip home on a fairly sunny afternoon.  This would be my first color photography in a Gevabox, and while I didn't expect a faithful rendition, I did look forward to seeing what it could manage.

In Mount Airy, MD, I took a snapshot of the former train depot with the caboose in the distance.  Teh result was pretty decent for a fairly limited camera on an expired film with a narrow exposure latitude. 

Fun with Film: Cross Processed Ektachrome Elite 100

What two things will make me cross process slide film?  Well...

• Slide film that is expired and that I worry won't process accurately, and
• A mixed set of C-41 compatible chemistry from which I've gotten my desired rolls of color negative film developed. 

In these instances, the cost of running a roll of slide film through and processing it in the existing chemistry is really only a matter of one's time, and doesn't involve a financial outlay, so it's like the frosting on the cake.  

I had a 10 year old roll of Ektachrome Elite 100 that I put through my Ricoh 520M and dunked in the Unicolor chemistry.  Though it took a bit of trial and error to scan the results to a nice result, I managed to get some very vivid end products from this experimentation, that you can view below:

The rendition from this shot is reasonably close to life, aside from some pastel hues in the cooler end of the spectrum.

Film Fun Folio #22 - Zeiss Ikonta 521 and Cross Processed Agfa CR 200

Periodically, I'll be posting scans of some complete rolls of film on here, showing both the good and the bad, and giving some basic information as well a little write up of the shoot as well as the reasons why I selected each camera and film.  Enjoy the trip! 

Feature #22:

Camera: ca. 1946 Zeiss Ikonta 521 with Novar f/3.5 lens.

Film: Agfa CR 200 (Cross Processed in C41)

Locale: Central Maryland.

Amid a very busy shooting session in the Fall of 2015 in Frederick County, Maryland, I ran through my rolls a bit more rapidly than originally anticipated.  I'd brought along a few spare rolls as insurance, and I hastily elected to use this roll of CR200 to get a few more exposures.  In hindsight, I'd have more likely elected to use one of the many rolls of Velvia 100F I had on hand rather than my only roll of CR200, but this allowed a good chance to get another look at this unique film.  The frugal part of me would have felt better eeking out 12 or 16 exposures from this roll rather than the 8 possible using a 6x9 camera, but this allowed me a fun chance to see the capabilities of this film in a range of daylight situations.

When it came time to process the film, I elected to cross-process it, mainly because I had read good things about cross processing this film compared to more disparaging things about developing it in E-6.  I guess it was time for me to see what the fuss was about.  

1 - Braddock Heights, MD - f/11, 1/250 - The first shot is sharp enough, but man is it golden in hue.  I don't hate it, but it didn't quite have the fun vibe from the offset that my first cross processed roll had going for it.

An X-Pro Project - Four Experiments in One

"So, um, how do you like that restaurant down the street?"

"I don't care for it?"

"Really?!? How many times have you been there?"

"I never have."

"Um.... Alrighty then!"

Such could very well be akin to the narrative defining my feelings on cross processing of slide film using C-41 chemistry.  I'd never tried it, and never really intended to do so either, as the idea seemed little "hipster gimmicky" to me, and I'd considered myself a photographic purist. In an almost defiant move to the notion of the idea, I'd even happily developed two rolls of Agfa Crossbird, a film that readily promotes use as a cross processing medium, in conventional E-6 chemistry.

In early April, while reading one of my favorite photo blogs, the Casual Photophile, I happened upon a post detailing the basics of X-Pro. In short, by the time I finished reading the article, the engaging Photophile managed to break it all down to the point where the idea of shooting a roll of film and then cross processing it actually sounded like FUN.  That is, after all, a big part of why I like to shoot film.  After posting my comments on the excellent article, he encouraged me to give it a try, hence the post that you are reading now.  

I had a few rolls of recently expired Velvia 100F 120 slide film lying about whose color rendition (when processed in E6) about which I wasn't exactly over the moon, so this seemed the obvious choice for a film medium.  I also certainly had a few dormant medium format cameras sitting about waiting for their next assignment.  I elected to choose the most "Lo-Fi" of them all, the humble Agfa Billy Record I, one of the very first folding cameras that I ever picked up.  With a slow and modest f/6.3 lens and only 3 shutter speeds, it seemed to be the ideal conduit for this part of the experiment.

Since this was a project centered on experimentation, it seemed like this would be a nice opportunity to broaden my experimental horizons in the process.  Since my Olympus PEN E-PM2 offered a "Cross Process" creative filter, I figured I would shoot comparable images on it using this mode to compare to the film results.  Finally, since I was going "Lo-Fi" with my look on the analog side, it seemed only natural to use an adapted manual focus lens on the digital body instead of an AF lens.  To closely match the composition of the focal length of the film shots, my most suitable choice was the widest of these in my possession, a 24mm f/2.8 Promaster lens that I've rarely used.  

Therefore, this one experiment actually wound up consisting of four experiments rolled into one! 

1. Cross Processing Slide film, which I've never done before.
2. Using the previously unused Cross Processing filter on my Olympus Pen.
3. Shooting with the under-utilized Agfa Billy 
4. Shooting with the under-utilized Pro Master 24mm lens.  

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