Ricoh Rarity: The 520M CDS Rangefinder

Rarity and value in the film camera collecting world can often have no seeming relationship.  One can head over to ebay and see a huge quantity of "rare" cameras for sale at the same time, and see people snapping them up at extreme prices.  And then there are those unknown models with truly small production runs that appear for sale only on rare occasion, and for a comparative song.  Witness the following:

Simply adorned but easily navigated, the Ricoh 520M CDS, occasionally seen as a model of the Sears 35RF, is an infrequently spotted example of mid-late 1960's rangefinder.

The camera model depicted here is Ricoh's 1966 vintage 520M CDS, and it is a surprisingly rare find on the film camera marketplace.  Head on over to eBay, Etsy, or Goodwill right now, and I can largely wager that you won't find one for sale. Heck, even searching the web for ANY mention of this camera model or its older sibling that lacks the "CDS" suffix will yield a pitifully modest bit of results.  As such this review for this rare camera that few seem to care much about is likely to sit about as the only formal review of this camera model on the web for some time, provided that late 1960's Japanese styling doesn't suddenly become the must have in late 2017, and the 520M CDS doesn't become the next big hipster thing.

Innocuous and Impressive: The Konica I

The hobby of film photography on classic cameras is a road often fraught with perils and temptations, particularly when it comes to resisting expensive items with prestigious name plates.  Fortunately, my budget and sensibilities are right about in line with each other to keep this in check for the most part, leaving me to stay with more affordable cameras and options, rather than to splurge on fancy models such as those that begin with "L" and end in "ica."

However, the form factor of an early Leica is certainly intriguing, and has often been mimicked by other makers, particular in the 1950's and 1960's.  I found a stellar buy back in the Summer of 2016, in which I found a camera with the Leica form factor and which also ended in "ica" but started with "K" rather than "L."  And with a $22 splurge, I elected to become the owner of a Konica I Rangefinder!

The classic rangefinder look is handily accomplished by the Konica I, seen here in its "collapsed" state.

While the 1948 vintage Konica I is hardly a candidate for a complete doppelganger for a Leica, it certainly bears a favorable resemblance to early model 35mm cameras of Ernst Leitz.  It has a collapsible lens that gives it a very compact form factor when folded up, and a nicely polished set of finishes that evoke a very stately look.  Pulling out the compact Konica I, extending the lens barrel, and then getting a photo feels very satisfying photographically.

Tightwad's Trailblazer: The Taron Marquis

Battery powered exposure metering is something that the vast majority of today's photographer's take largely for granted.  Today's sophisticated systems can do matrix metering, spot metering, and often include older standards such a "center-weighted" and "evaluative" as well.  Simply put, there is often little need for one to give much thought to exposure when armed with a camera, and can elect to concentrate more on composition and or focus in taking photos.

But this wasn't always the case.  One need only go back to the early 1960's to find a very different world photographically.  In-camera meters were themselves hardly universal, and those cameras that did offer metering typically did so via selenium cells that had a somewhat limited life expectancy and didn't really function adequately in lower light situations.

Interestingly enough, the advent of "CDS" cell metering powered by a battery didn't start with a well known name in photography today such as Nikon or Canon or Fuji, but rather a lesser known Japanese maker by the name of Taron.  Their release of the Marquis in 1962 was a significant leap for photography, and one whose effects are all too well known today, even if their own significance regarding this milestone has since been forgotten.

There are a number of Japanese camera makers of the 1950's and 1960's that were unable to adapt as global marketplaces and the camera industry changed through the decades.  Aires, Samoca, Petri and Taron are four such makers.  Taron's specialty was in 35mm rangefinders, and offered models such as the JL, MX, Unique, Robin, and EyeMax.  None of these other models were quite as groundbreaking as the Marquis however, whose CDS equipped body was the first such camera in the world.

The Minister is My Friend: The Yashica M II

Friendships are always a mixed bag.  Some are marked by a certain sense of overreaching influence, where a person tries to give you guidance, whether solicited or not, and then that person all but expects you to follow their guidance to the letter.  Then there are those aloof friendships that lack any real involvement or guidance whatsoever, in which either party just does as they please without any mere mention of what might be best.

The best friendships however, in my humble beliefs, are the happy medium of the extremes listed above; those in which you are given some gentle guidance that is clearly spelled out, but are still given the latitude to make your own decision, knowing you are ultimately responsible for the outcome of your decisions.

Cameras can often run this same sort of gamut of influence.  There are those that are overbearing and force you to set exposure settings as they choose, or even to focus upon what they see as the focal point, with little to no latitude to change this up as you see fit. Conversely, other models offer you little or no assistance in your photographic mission, having no assistance in focusing, composition, or exposure settings. 

And then there are those which also strike that perfect balance between helpful and obnoxious, handily giving you all the information you need to make a great photo, and allowing you to choose what bits of these vitals you elect to implement in composing and shooting your photo, and letting you relish or revile the outcome, while patiently ready to give you that guidance again whenever you call upon it.  And to me, there are few which do this as successfully as the Yashica M-II rangefinder camera.

Three extremely similar cameras in build and specification, though only one truly carries the "Minister" moniker.