Showing posts with label Rollei Infrared 400. Show all posts
Showing posts with label Rollei Infrared 400. Show all posts

7.29.2016

Film Fun Folio #27: Kodak Bantam Flash and Rollei Infrared 400

Periodically, I'll be posting scans of some complete rolls of film on here, showing both the good and the bad, and giving some basic information as well a little write up of the shoot as well as the reasons why I selected each camera and film.  Enjoy the trip! 

Feature #27:
Camera: ca. 1948 Kodak Bantam Flash with 48mm/f4.5 Anastar Lens.
Film: Rollei 400 Infrared
Locale: Frederick, MD.
First, let me be perfectly clear, Rollei does NOT make it's Infrared film in 828 format, but thanks to my methods, I quickly made a roll of 828 stock from a roll of 120 stock and dark loaded it into the Bantam Flash.  I took a first shot as Spring blossomed, and then the camera and film just sat, week after week, seeing no action whatsoever, until I just so happened to bring it along on a lovely day, and had about 20 spare minutes to shoot it in one shot as I strolled near Baker Park in Downtown Frederick.  Nearly all of the shots were tripod taken under an approximate EI of 12, which in this case meant a typical shutter speed of 1/50, and an aperture of f/8, (or 1/25 with an f/11 aperture) which as it turns out was usually decent enough to get a workable shot while holding the R72 over the lens.  


I hadn't quite worked out my filter holding method for this first shot. 

2.13.2015

Fun with Film: Rollei Infrared 400

It has taken me a little while to really get back into shooting black and white film.  Between my fascination with old color Kodachrome slides and the wealth of color that was amid the landscapes during the Summer and Fall when I began to get back into shooting film, the premise of stripping that vibrance from my resulting images was not something I was initially ready to do.

That bias has since abated, with the rural landscapes largely having turned to a rather uniform palette that is the color of dull straw since November, the once rich green grasses now in a muted shade of sickly moss, and the colorful foliage on the trees now replaced by withering vines and branches.

However, even as I dove back into film, and was picking up a roll or two of whatever color films were still obtainable, a black and white film caught my eye that seemed particularly interesting to try. It took some time and effort to find a lab willing to process it, but finally, I have results in hand.  The film in question: Rollei Infrared 400.