Every Monday, I'll be spotlighting a different classic Kodachrome slide that I've picked up, and trying where I can to detail the who, what, when, where, why, and how (much) of the image:
This Week:
What: Holiday Potpourri.
12.22.2014
12.15.2014
Kodachrome Classic Monday #24
Every Monday, I'll be spotlighting a different classic Kodachrome slide that I've picked up, and trying where I can to detail the who, what, when, where, why, and how (much) of the image:
This Week:
What: Christmas Tree at Dusk in a Shopping District.
12.10.2014
12.08.2014
Kodachrome Classic Monday #23
Every Monday, I'll be spotlighting a different classic Kodachrome slide that I've picked up, and trying where I can to detail the who, what, when, where, why, and how (much) of the image:
This Week:
What: Night Street Scene at the Holidays with wet streets.
12.05.2014
Deja Vu: A Prewar Photographic Pair of Balda Folders
They say fortune comes in three's, but it seems to really come in two's for me, at least photographically.
This trend started in February when I got an Olympus PEN E-PL2 off of Craigslist, and not too long afterwards realized that the the Line Art mode offered on the E-PM2 would be much easier for the focusing of old adapted manual focus adapted lenses, so I took the hit to add a companion. As I've gotten into film however, this has gotten much worse, as my reactivation of my Seagull 4A-103 prompted me to add a second TLR to my repository with the Yashica 12. When I first got into folding cameras, I bid on two different Agfa Billy cameras, and wound up winning both. And when I snagged a good deal on a Zeiss Ikonta 521/2, I couldn't help but to be tempted to pick up an attractively priced 645 version as well just days later. Yikes.
And that was supposed to be it, as I now had at my disposal a collection of medium format film cameras that could shoot 6x9, 6x6, and 6x4.5. I had both folders and TLR's, cameras that had coated lenses and non, cameras with triplets lenses and sharper 4 element lenses opening up as far as f/3.5, as well as cameras capable of shutter speeds as short as 1/500 of a second. I now had six film cameras that I could load simultaneously with films ranging from slow to fast, color and black and white, and both positive and negative films. I really had no reason in the world to be looking about.
And then I was bitten with a little bit of capriciousness.
Still, ever eager to learn more about the cameras made decades ago, and using the dangerous tool of ebay as my learning tool, I spotted a terribly attractive deal. Unlike my last two Zeiss acquisitions, whose "Ikonta" names sound surprisingly "attractive" for German, this camera sported a name that was not nearly as appealing: "The Balda Hapo 10."
This trend started in February when I got an Olympus PEN E-PL2 off of Craigslist, and not too long afterwards realized that the the Line Art mode offered on the E-PM2 would be much easier for the focusing of old adapted manual focus adapted lenses, so I took the hit to add a companion. As I've gotten into film however, this has gotten much worse, as my reactivation of my Seagull 4A-103 prompted me to add a second TLR to my repository with the Yashica 12. When I first got into folding cameras, I bid on two different Agfa Billy cameras, and wound up winning both. And when I snagged a good deal on a Zeiss Ikonta 521/2, I couldn't help but to be tempted to pick up an attractively priced 645 version as well just days later. Yikes.
And that was supposed to be it, as I now had at my disposal a collection of medium format film cameras that could shoot 6x9, 6x6, and 6x4.5. I had both folders and TLR's, cameras that had coated lenses and non, cameras with triplets lenses and sharper 4 element lenses opening up as far as f/3.5, as well as cameras capable of shutter speeds as short as 1/500 of a second. I now had six film cameras that I could load simultaneously with films ranging from slow to fast, color and black and white, and both positive and negative films. I really had no reason in the world to be looking about.
And then I was bitten with a little bit of capriciousness.
Still, ever eager to learn more about the cameras made decades ago, and using the dangerous tool of ebay as my learning tool, I spotted a terribly attractive deal. Unlike my last two Zeiss acquisitions, whose "Ikonta" names sound surprisingly "attractive" for German, this camera sported a name that was not nearly as appealing: "The Balda Hapo 10."
12.03.2014
12.01.2014
Kodachrome Classic Monday #22
Every Monday, I'll be spotlighting a different classic Kodachrome slide that I've picked up, and trying where I can to detail the who, what, when, where, why, and how (much) of the image:
This Week:
What: Man waiting at a Railroad Station.
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